Marriott C. Morris was given this ram-shaped gingerbread cookie in February, 1885, when he was a student at Haverford College #LambsintheLibrary
Morris was a member of a prominent Philadelphia Quaker family who took his first photographs during his freshman year at Haverford College. Morris continued to document his life through photographs of his large extended family and network of friends, his Germantown neighborhood, and his many travels across the East Coast and even Bermuda. #MorrisMonday
TGIF! We hope this circa 1880 trade card inspires you to carve out some time for whimsy this weekend
Philadelphia-born artist Mary Vaux Walcott captured this beautifully composed pastoral scene in the early 1900s. Known primarily for her botanical illustrations, Mary was also a passionate field photographer and active mountain climber. Mount Mary Vaux in Alberta, Canada, is named for her. #LambsintheLibrary
It’s #BatAppreciationDay and we thought we’d re-share the tiniest (at about the size of a postage stamp), and maybe the cutest bat in our collection. Remember to keep dark!
We are deeply saddened by the news of the fire in Notre Dame cathedral in Paris.
This image, taken by George Bacon Wood in 1883, shows the west facade center portal, one of the many beautiful and awe-inspiring details of the century in the making cathedral and icon of the Paris skyline.
This film negative from our Marriott C. Morris Collection is a reminder that sometimes you just need to put your paddle in the water and go with the flow! #MotivationMonday
Morris captured this image while on a canoe trip with friends and family in the New Jersey Pine Barrens April 13th and 14th, 1906. #MorrisMonday
It is finally Spring, and with that we are hearing nature waking up from its wintry slumber. This uncut sheet of chromolithographs showing pastoral and natural scenes illustrates some of the joys of being outdoors when weather starts to warm, including lots of baby animals!
We wish we could levitate like Lu Lu, especially when we are trying to reach a book on the top shelf. For now, the traditional step stool will have to do.
This album belonging to Mary Anne Dickerson, a young middle-class African American Philadelphian, was probably created as a pedagogical instrument to promote cultivated expression, with contributions dating from 1833 until 1882 including this delicate floral watercolor painted by Sarah Mapps Douglass. Douglass, an artist and prominent Quaker member of the Philadelphia African American elite community, was best known as an educator and anti-slavery activist.
Anne C. Lewis, Memories of the Home of Grandma Lewis (Philadelphia, 1896). Gift of Oliver E. Allen.
The Lewis family of Philadelphia cherished this mahogany pier table that was made for John F. Lewis (1791-1858) and later gifted to his son George on his marriage to Anne Larcombe (1831-1898) in 1851. Here it is shown in their home in the 1890s. Anne noted the matching Empire-style mahogany chairs “were its [the table] associated for many years, and still keeps company with it in our dining room.”