Library Company of Philadelphia
We love the delicate gilt-stamped leaves on our copy of Edward Parrish’s The Phantom Bouquet (Philadelphia, 1862). Looking for some fall crafting inspiration? This book gives step-by-step instructions for creating and decorating with skeletonized leaves, so you could have your own phantom bouquet by Halloween!
We love the expression of this cherub ushering in the end of this pamphlet (as well as our week) #FinisFriday
Ever wonder why you see a ton of gold-stamped cloth bindings from the 19th century, but hardly any silver? Gilt-stamping was a popular technique for decorating leather bindings, and made an easy transition to decorating cloth bindings when bookcloth first hit the American publishers’ binding scene in the 1830s.
Since aluminum-stamping was not available until the late 1870s, and was most popular through the 1880s, we see fewer examples in collections today.
Rollo in Holland. Abbott, Jacob. New York : Hurst & Co. [ca. 1880?] 10 cm x 15 cm x 2.5 cm.
Our final #LibraryBookArt feature comes from our copy of The Roman Histories of Lucius Iulius Florus (London, 1636). A former owner added this glorious portrait to the final leaf along with the inscription: Dikus Mulberry. We’re not sure whether Dikus is the person depicted, the former owner, or perhaps both. Regardless, we’re feeling some serious #HairEnvy.
If you are in need of an electrotyped type ornament, Bruce’s New York Type Foundry probably has what you’re looking for. Beehive? Got it. Tiny chair? Absolutely. Oyster? No problem. Avocado? Sure, why not, just use the oyster.
An Abridged Specimen of Printing Types, made at Bruce’s New-York Type-Foundry. New-York: George Bruce’s Son & Co., 1869.
We’re shining a light on this week’s #LibraryBookArt situation! Our Chief of Conservation, Jennifer Rosner, found this gorgeous geometric watermark while going through our copy of T.H. Saunders’ Illustrations of the British Paper Manufacture (London, 1855). We love how a seemingly plain piece of paper can come alive with just a little light.
T. H. Saunders. Illustrations of the British paper manufacture. London, Waterlow and Sons, 1855.
#OnThisDay 399 years ago, the Mayflower set sail from England with 102 passengers and 30-odd crew members on board. Less than two months later they arrived at Provincetown Harbor in Cape Cod. Before disembarking, the first governing document – the Mayflower Compact – was drafted and signed by the colonists to outline how the new settlement would be governed. The original document has long since been lost, but pictured here is the version from “Mourt’s Relation,” printed in 1622.
William Bradford. Relation or journall of the beginning and proceedings of the English plantation setled at Plimoth in New England, by certaine English adventurers both merchants and others. London: Printed [by J. Dawson] for Iohn Bellamie, and are to be sold at his shop at the two Greyhounds in Cornhill neere the Royall Exchange, 1622.
On Wednesday we shared some #LibraryBookArt from our copy of Johann Heck’s Iconographic Encyclopædia of Science, Literature, and Art (New York, 1851-1852). Today we’re returning to the same copy to show off these gorgeous endpapers that are featured in all six volumes of the work. We can’t be sure, but our conservation team thinks these decorated papers may have originally been intended as wallpaper! Regardless, they make for some lovely #EndOfTheWeekEndpapers
(Also, take a look at that relic from our days as a lending library! Looks like the last time this book was checked out was in 1902, a few decades before we stopped lending books.)
We had an incredibly difficult time choosing which images to share from Johann Heck’s Iconographic Encyclopædia of Science, Literature, and Art (New York, 1851-1852) for this week’s #LibraryBookArt feature! The two image atlases that accompany the text are chock-full of beautiful engravings, depicting fossils, minerals, natural phenomena, and so much more.
“When shall we three meet again”…
We’re kicking off September’s #LibraryBookArt challenge with our copy of George Kingsley’s The Social Choir (Boston, 1835), which features this fantastic drawing and inscription on its front pastedown. Who doesn’t love a casual Macbeth reference?
George Kingsley, editor. The Social choir. Boston : Leavitt, Lord, & Co., 1835.